Kids!
Between Representation and Reality
28.11.2025 — 6.4.2026

Auf diesem Gemälde ist ein Junge dargestellt, das in opulenter, farbenfroher Kleidung des Barock gekleidet ist.
Nicolaes Maes, Portrait of a Boy as a Hunter (Adonis), (Detail), ca. 1670 © Gemäldegalerie der Akademie der bildenden Künste Wien
Exhibition view: Kids!, Bucerius Kunst Forum, photo: Ulrich Perrey
Exhibition view: Kids!, Bucerius Kunst Forum, photo: Ulrich Perrey
Exhibition view: Kids!, Bucerius Kunst Forum, photo: Ulrich Perrey
Exhibition view: Kids!, Bucerius Kunst Forum, photo: Ulrich Perrey
Exhibition view: Kids!, Bucerius Kunst Forum, photo: Ulrich Perrey
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Kids!
Between Representation and Reality

28.11.2025 — 6.4.2026

Few subjects reflect a society’s values and norms, and how they change over time, as clearly as depictions of children. The exhibition Kids! at the Bucerius Kunst Forum, focuses on the portrayal of children in art from the 16th to the 21st century. Six chapters approach the subject from different perspectives and show not only paintings but also photographs, works on paper, media art and sculptures.

The exhibition thus begins with a presentation of depictions of Madonna, in which the ideas of mother-child relationships and their influence up to the present day become clear. The portrayal of children has had various functions over the centuries. Created in circles of the high nobility around 1500, portraits of children were intended to underpin the continuity and claim to power. Against this backdrop, portraits were often created showing the successors to the throne in armor as small adults. In this way, they were prepared for the future role of general and ruler. A playful variant is the portrait historié, in which the children were depicted as ancient gods, for example. In the 17th century in particular, Dutch and Spanish genre painters took up the motif of poor children, which still lives on today. The artists were not necessarily interested in taking a socially critical stance. It is not uncommon for children in financially disadvantaged, often precarious life situations to have a smile written all over their faces. Child labor was not fundamentally rejected either. It was seen as a valuable way for children to contribute to their family's income.

The multifaceted nature of the exhibition illuminates the diverse perspectives and functions of children's pictures over the centuries. In the past, for instance, portraits of deceased children were the only means of preserving their memory. Today, commemoration takes place in a different way – for example through lifelike photographs that show children in happy life situations. The most serious change, which testifies to a different conception and definition of childhood, took place at the end of the 17th century and in the 18th century. Children were now allowed their own development – as close to nature as possible and away from the adult world.

The theme of “being a child” is still one of the most popular pictorial themes in the visual arts today: Trying things out, pushing oneself to the limits, drawing, playing and togetherness are characteristic of the most important phase of a person's life.

The exhibition includes works by Titian, Anthony van Dyck, Oskar Kokoschka, Paula Modersohn-Becker, Nobuyoshi Araki, Thomas Lawrence, Joshua Reynolds, Rineke Dijkstra, Judith Leyster, Christoph Amberger, Gerhard Richter and many more.

The exhibition is sponsored by

Logo Hauck Aufhäuser Lampe ManagementLogo von Lampe Asset ManagementLogo Hapag-Lloyd StiftungLogo Stiftung Kinderjahre

Visit

Exhibition
daily 11:00 a.m. — 7:00 p.m.
thursday 11:00 a.m. — 9:00 p.m.

Special opening hours 
Good Friday 11:00 a.m. — 7:00 p.m.
Easter Sunday 11:00 a.m. — 7:00 p.m.
Easter Monday 11:00 a.m. — 7:00 p.m.

Ticket info
Regular: 12 Euro
Reduced: 6 Euro

Online-Tickets

More information

More about the exhibition

Eine Person steht auf einem Tritthocker vor einem Ölgemälde

Art at eye level
To enable you to try out for yourself how perspectives change, we have provided various discovery aids. Climb up, sit down or look from above or below – sometimes it's worth changing your own perspective!

Ansicht von ausgefüllten Bögen des Freundebuchs an einer Pinnwand

Let's be friends!
We want to hear and see your stories, whether you were a little rascal, a quiet thinker or a wild adventurer as a child! During your next visit to the exhibition, you can complete a page of our Friends Book on site and pin it to the portrait wall in the foyer. Ideally, you should bring a picture of yourself as a child, whether a painting, drawing or photograph.

Der Katalog zur Ausstellung Kinder, Kinder!

Exhibition Catalogue
The exhibition catalogue provides a unique perspective on the artists and their works.

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Die Installation Lactoland in der Ausstellung Kinder, Kinder!

„Lactoland“, 2021 von Clara Alisch
The artist takes a critical look at human milk production as a reproductive, economic, aesthetic and virtual process. The video work is on display in the exhibition "Care! When Love Becomes Labour" until 3 May 2025.

Eine Frau hält ein Handy auf dem der BKF-Audioguide läuft vor der Fotografie einer jungen Frau, die in einem dunklen Raum sitzt und auf ihr Smartphone blickt.

Audioguide
Download the BKF Guide free of charge onto your smartphone.

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Silent Strolls versus Sound Strolls
Art can be discovered in many different ways – sometimes in quiet reflection, sometimes in a lively atmosphere. Depending on their mood, guests can either indulge in moments of retreat and contemplation or enjoy a vibrant start to their weekend.

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[Translate to english:] zwei Kinderhände bedienen ein Tablet auf dem die digitalen Bastelanleitungen zur Ausstellung angezeigt werden

Digital Craft Instructions
Creative craft instructions to enjoy with the whole family at home, inspired by the exhibition! Available in German only.

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Bild der Poetry Slammerin Paulina Behrendt

Word Meets Art
In our series “Word Meets Art,” the powerful texts of poetry slammer Paulina Behrendt encounter selected photographs and paintings from the exhibition “Children, Children!” at the Bucerius Kunst Forum. Each slam poem unfolds associations, emotions, dreams, memories, and reflections — ranging from the lightness of childhood to the major questions of our time.

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Das Video zur Ausstellung


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