Glossary for the exhibition From Monet to Picasso. Jewish Art Collectors in Germany
Historical terms require careful consideration and contextualisation. To encourage a sensitive and informed approach to such terminology, we have compiled a glossary to accompany the exhibition. It explains key terms, including those that formed part of the established vocabulary of the Nazi era and are, in some cases, still in use today, and places them in their historical context. While these translations of Nazi terminology are widely accepted, they do not claim to be the sole authoritative versions in all cases.
The glossary is available in the exhibition, in the catalogue and below.
Passed in 1935, this Nazi law distinguished two categories of citizenship: ‘Reich citizens’ and ‘citizens of the state’. ‘Reich citizens’, who had full rights, could only be people of ‘German or related blood’. ‘Citizens of the state’, including in particular people from a Jewish background, were deprived of all civil rights.
A legally non-binding agreement dating from 1998 setting the guidelines for dealing with Nazi-looted art. Germany and other State Parties undertake to identify looted and confiscated cultural goods and research their provenance with the aim of reaching ‘fair and just solutions’ with the former owners or their legal successors.
With the exhibition From Monet to Picasso. Jewish Art Collectors in Germany, the Bucerius Kunst Forum showcases 15 significant collections that were built by German Jews before 1945, thereby playing a pioneering role in the establishment, promotion, and defense of modern art. Due to the Shoah and the atrocities of National Socialism, their significant contribution to our current art canon has been largely forgotten. The exhibition is dedicated to the life stories of these 15 families, couples, and individuals, including the Hirschland family, Clothilde and Paul Schüler, Max Meirowsky, Rosa Schapire, and Margarete Mauthner.