Nolde and the North
16.10.2021 — 23.1.2022

Emil Nolde: Two on the Beach (Detail), 1903, Nolde Stiftung Seebüll, Fotocredit: Fotowerkstatt Elke Walford, Hamburg, und Dirk Dunkelberg, Berlin, Fotobesitz: Nolde Stiftung Seebüll © Nolde Stiftung Seebüll

2G access plan as of October 15, 2021

Please note that the 2G access plan will apply at the Bucerius Kunst Forum for exhibition and event operations from October 15, 2021. Proof of full Corona vaccination or recovery will then be required for admission. Children under the age of 12 are excluded.

For the time being, children and adolescents under the age of 18 can also participate in all 2G offerings without proof of testing, vaccination or recovery. Children under the age of 7 are furthermore not required to wear a medical mask.

The Bucerius Kunst Forum cash desk and the Book Shop are excluded from the 2G rule.

The exhibition

Emil Nolde is one of the best known and, due to his later National Socialist convictions, one of the most controversial artists of classical modernism. The exhibition, mounted by Bucerius Kunst Forum in cooperation with the Nolde Stiftung Seebüll, examines the artist’s early work for the first time in relation to nordic art. Around 80 of the artist’s works, most of them produced between 1900 and 1902, are juxtaposed with paintings by his Nordic contemporaries, including Georg Nicolai Achen, Anna Ancher, Vilhelm Hammershøi, Viggo Johansen, Peter Ilsted, Peder Severin Krøyer, Laurits Andersen Ring and Jens Ferdinand Willumsen.

In 1900 Nolde visited the World Exhibition in Paris and was deeply impressed by the Scandinavian art shown there. In the same year he decided to travel to Copenhagen, rented a studio and devoted himself to study Danish painting. Motifs and approaches typical of Nordic painting inspired Nolde's own unconventional compositions. One of his key themes at the time was the world of fantasy, and the artist looked to both literary sources and Nordic oral legends for his subjects. The Scandinavian influence can also be felt in his interior scenes and atmospheric landscape paintings. Thus, Nolde's time in Denmark contributed significantly to the development of his art.

The exhibition is sponsored by

Nolde and the North
Exhibition Catalog

Publisher Bucerius Kunst Forum and Nolde Stiftung Seebüll
Articles by Astrid Becker, Sören Groß, Annika Landmann, Magdalena M. Moeller
Description ca. 220 pages with color illustrations of the exhibited works
Publishing house Hirmer Verlag, Munich
Price in the exhibition 29,90 Euro

The BKF Guide as an app for your smartphone

Download the BKF Guide conveniently and free of charge onto your smartphone to experience the exhibited works in multimedia form and receive exciting background information during your visit to the exhibition.

  • Free BKF Guide app for your smartphone, available for iOS and Android
  • Available in German and English
  • Conveniently download to your own smartphone from home or on the road
  • Use of your own headphones

— To the App Store on Apple

— To the Google Play Store

At the same time, the Hamburger Kunsthalle presents »I USUALLY PRIME WITH CHALK…« Emil Nolde’s Painting Technique (16.10.2021 - 18.04.2022). This studio exhibition presents the results of an interdisciplinary research project on Nolde's working methods and materials, which the Hamburger Kunsthalle has been conducting since the autumn of 2018 together with the Doerner Institute of the Bayerische Staatsgemälde­sammlungen, Munich, and the Nolde Foundation, Seebüll. On the basis of eleven paintings, the exhibition provides the first in-depth insight into Emil Nolde’s painting techniques, which are important for understanding his works.

A combined ticket for both exhibitions is available via the Bucerius Kunst Forum ticket shop.

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